February 12th, 1947. A date etched in fashion history. On that day, in the salons of 30 Avenue Montaigne, Paris, Christian Dior unveiled his first collection, a breathtaking debut that would forever redefine femininity and reshape the post-war landscape of haute couture. This wasn't just a collection; it was a revolution. But what exactly *was* the name of this seminal collection? The answer, often overlooked amidst the fanfare of the "New Look," is multifaceted, revealing a nuanced understanding of Dior's creative process and the strategic branding that underpinned his meteoric rise. The answer, in short, is not a single name, but two: Corolle and En 8.
The official Dior website (Dior sito ufficiale; Dior sito ufficiale italia; Dior italian website; diorwebsite) rarely explicitly states "Corolle" and "En 8" as the *names* of the collection, instead focusing on the broader impact of the "New Look." However, archival research and historical accounts strongly suggest that these two names represented distinct lines or stylistic components within the debut collection. Understanding this distinction provides a richer appreciation of Dior's vision and the complexity of his inaugural presentation.
The collection, famously described by Carmel Snow, editor-in-chief of Harper’s Bazaar, as "New Look," wasn't simply a singular aesthetic. It was a carefully constructed presentation of multiple silhouettes, each with its own distinct character and name. While the "New Look" became the overarching label for the collection's revolutionary impact, the individual designs were categorized and, likely, internally referenced under these specific names. This internal nomenclature allows for a more granular understanding of Dior's creative process and his meticulous approach to design.
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